United Kingdom · Technical roles · Entry Level (0-2 years)

Junior 3D Modeller for AR/VR

Here is the whole job, in plain words. What it is, a real day, what you decide, how you're judged, how people get here and where they go next. Then the part no course gives you: twelve AI tutors who learn your work.

Experience bandEntry Level (0-2 years)
Direct reportsNo direct reports
Reports toSenior 3D Modeller for AR/VR
UK framework levelUsually someone starting out, or keeping a process running

Also advertised as Associate 3D Artist (AR/VR) · Junior Immersive Modeller · 3D Asset Creator (Entry-Level) · AR/VR Environment Artist Assistant

Built on an analysis of 43,079 real UK job descriptions · grounded in qualifications employers recognise

Start with a free Future Fluency check, tuned to Junior 3D Modeller for AR/VR

Ten quick questions, one per Future Fluency, asked against this role rather than a generic one. About five minutes, and no card.

Start the check, free

1What this role really is

This isn't just about making pretty pictures; it's about crafting the digital objects that bring immersive experiences to life. As a Junior 3D Modeller, you'll be the hands-on person building the assets that users will see, touch, and interact with in our AR and VR projects. You'll be learning the ropes, getting to grips with our tools and processes, and making sure your work fits perfectly into our virtual worlds. Think of it as being an apprentice architect for digital spaces.

2What you'd actually use

The tools this job runs on, and how well you'd need to know each one.

Blender OR MayaIntermediate

Primary modelling, retopology, UV unwrapping, and basic scene setup. You'll be spending a lot of time here, building the actual geometry.

ZBrush (Core sculpting tools)Basic

Basic sculpting for high-poly detail, primarily for creating forms that will later be retopologised and baked down. You won't be doing super complex character work just yet.

Adobe Substance 3D PainterIntermediate

Texturing 3D models using PBR workflows, applying materials, and painting details directly onto your assets. This is where your models get their 'skin'.

Unity OR Unreal Engine (Asset import, material setup)Intermediate

Importing your finished 3D models and textures, setting up basic materials, and checking how they look and perform in the target engine environment.

Git with LFS (Pull, commit, push)Basic

Checking out project files, saving your work, and submitting changes to our version control system. It's how we keep track of everyone's work and prevent conflicts.

JiraIntermediate

Tracking your tasks, updating progress, and seeing what everyone else is working on. It's our main project management tool.

3What you get to decide, and how that grows

Power in a job isn't your title. It's what you're allowed to decide. Here's how it grows as you move up.

The choice	Coming in	Where you are now	The step above
Asset Creation Approach (e.g., modelling technique, topology flow)	Follows specific instructions from Senior Modeller; seeks approval for any deviation.	Chooses appropriate techniques for routine assets; consults Senior Modeller for complex or novel approaches.	Defines the optimal approach for complex assets; makes technical decisions independently within project scope.
Performance Optimisation Strategy (e.g., LODs, texture resolution)	Applies basic optimisation techniques as instructed (e.g., reduces poly count if asked).	Identifies and proposes optimisation solutions for individual assets within budget.	Designs and implements comprehensive optimisation strategies for entire scenes or asset sets.
Software/Tool Selection for a Task	Uses tools as specified by the team; asks before trying new software.	Selects appropriate tools from the approved tech stack for specific tasks.	Evaluates and recommends new tools or plugins to improve workflow efficiency.
Feedback Implementation	Applies feedback directly, seeking clarification if needed.	Interprets feedback and proposes solutions, sometimes pushing back with reasoned arguments.	Provides critical feedback to peers; leads review sessions and helps resolve conflicting artistic opinions.

4How you'll be judged

The scoreboard, honestly: the hard targets, how often each one is actually looked at, and the quiet human signals that never make it onto a dashboard.

Asset Delivery Rate

Percentage of assigned 3D assets completed and submitted for review by the agreed deadline.

Target · 90%+ of assigned assets

If you're given 10 assets to model in a sprint, we'd expect 9 or more to be ready for review on time. We understand things happen, but consistent delays are a red flag.

Polygon Budget Adherence

How closely your final models stick to the specified polygon (triangle) count limits.

Target · Within 5% of the allocated poly budget

If an asset has a budget of 5,000 triangles, your final model should be between 4,750 and 5,250. Going over means performance issues, going under too much means it might not look right.

Revision Rate (Initial Review)

The average number of significant revisions requested on an asset after its first submission.

Target · Less than 2 major revisions per asset

After you submit a model, if we're constantly asking for big changes to topology or UVs, that tells us you might need more guidance upfront. Small tweaks are normal, but redoing big chunks isn't ideal.

Learning & Tool Proficiency Growth

Demonstrable improvement in using core 3D software and understanding AR/VR specific workflows.

Target · Completion of 3 assigned training modules/tutorials per month

Successfully completing a Blender retopology tutorial or demonstrating improved speed in Substance Painter shows you're actively learning. We'll track your progress here.

Attention to Detail

The ability to produce clean geometry, accurate UVs, and well-organised project files.

Files are tidy and logical (no 'final_final_v2.blend'). UVs have good padding and minimal distortion. No obvious 'baking artifacts' without being prompted. You catch the little things before someone else does.

Responsiveness to Feedback

How well you interpret and apply feedback from senior artists and technical leads.

Feedback is understood and applied correctly in subsequent iterations. You ask clarifying questions rather than just making changes blindly. You don't make the same mistake twice after being shown the right way.

Proactive Problem-Solving (within scope)

Identifying minor issues or potential roadblocks and attempting to resolve them before escalating.

You try searching documentation or asking a peer before immediately going to your Senior Modeller. You don't just sit there stuck
you try *something* to get unstuck, even if it's just asking a specific question.

Collaboration & Team Fit

Working well with the immediate team, sharing knowledge, and contributing to a positive atmosphere.

You're happy to help a peer with a small issue if you know the answer. You participate in daily stand-ups and reviews. You're generally easy to work with and receptive to different ideas.

5Would you like it

The honest version. What people enjoy, and what grinds them down.

What people enjoy

Seeing Your Creations Come to Life

You're excited to see your models imported into Unity or Unreal, lit up, and ready for interaction. You get a real kick out of putting on a VR headset and seeing something you built in a virtual world.

You'll be the first to grab the headset and check out the latest build, pointing out 'Hey, that's my chair!' or 'Look how great that texture looks now!'

Mastering Complex Technical Art

You enjoy the challenge of optimising a model for performance, figuring out a tricky UV layout, or getting a perfect normal bake. The technical puzzles are just as interesting to you as the artistic ones.

You'll spend extra time researching different retopology methods or shader graphs, just because you want to understand them better and improve your craft.

Being Part of a Creative Team

You like collaborating with other artists and developers, sharing ideas, and contributing to a larger creative vision. You enjoy the camaraderie of building something cool together.

You'll actively participate in team critiques, offering constructive feedback and being open to receiving it, knowing it makes the whole project better.

What frustrates people

The 'small tweak' that isn't: A stakeholder asks for a tiny change, not realising it breaks your UVs and baked maps, forcing a near-total redo.
The tyranny of the performance budget: Constantly fighting to make assets look amazing while adhering to brutally strict polygon and texture limits for mobile VR.
Vague, subjective feedback: Getting notes like 'make it feel more sci-fi' or 'it just doesn't pop' from non-artists, and having to translate that into concrete changes.
Engine whack-a-mole: An update to Unity or Unreal suddenly breaks your import pipeline or changes how lighting works, forcing you to spend a day fixing things that worked yesterday.

What this role does not give you

Complete creative freedom: You'll be working within a defined art style and technical constraints, not just making whatever you want.
Instant gratification: Many tasks are repetitive and require patience, and seeing your work in a final product can take months.
A quiet, solitary work environment: You'll be collaborating constantly, receiving feedback, and needing to adapt to changing requirements.

6Who you work with

Your work directly influences the visual quality and performance of our AR/VR products. Get it right, and users have a smooth, believable experience. Get it wrong, and you're introducing visual glitches or performance bottlenecks that the dev team then has to fix, which costs time and money. Basically, you're building the bricks for our digital buildings; if the bricks are wonky, the whole wall looks bad.

Inside the business

Senior 3D Modellers
Technical Artists
AR/VR Developers
Concept Artists
Project Managers

Outside the business

None (typically internal focus at this level)

7What you need before you start

Not a wish list. The things you would be expected to already have.

A foundational understanding of 3D modelling principles, ideally from a course or personal projects.
Some hands-on experience with at least one major 3D software package (Blender, Maya, 3ds Max).
A basic portfolio showcasing your 3D modelling work, even if it's just personal projects or student work.
A genuine interest in AR/VR technology and how 3D assets are used in real-time applications.
The ability to take constructive criticism and iterate on your work.

8What to practise next

Where the job is going, and what to do about it starting this week.

Real-time Photogrammetry & 3D Scanning Integration

Capturing real-world objects and environments is becoming faster and higher quality. Knowing how to process scan data, clean it up, retopologise it, and get it into an engine efficiently is a huge advantage for realism in AR/VR.

Scan data cleanup · Retopology for scanned assets · Texture projection from scan data · LOD generation for scanned assets

This month: Experiment with free photogrammetry apps on your phone (e.g., Polycam, RealityCapture Lite) to scan simple objects.
Month 2: Import your scan data into Blender and practice cleaning up the mesh and projecting textures.
Month 3: Try retopologising a scanned object and baking new textures from the high-poly scan.
Month 4: Research different 3D scanning hardware and software solutions.

Quick win: Scan a simple object (like a shoe or a mug) with your phone and try to get it into Blender. It won't be perfect, but you'll learn the workflow.

Basic Shader Graph Authoring

Materials are more than just textures. Creating custom shaders (even simple ones) in Unity's Shader Graph or Unreal's Material Editor lets you achieve unique visual effects, optimise performance, and have more control over how your assets look.

Node-based shader editors · Vertex vs. Fragment shaders · Basic math for shaders (e.g., lerp, dot product) · Performance considerations for shaders

This month: Follow introductory tutorials for Unity Shader Graph or Unreal Material Editor (start with a simple dissolve effect or a custom metallic shader).
Month 2: Try to recreate one of your Substance Painter materials entirely within the engine's shader graph.
Month 3: Experiment with a basic animated material (e.g., a glowing effect or a scrolling texture).
Month 4: Look into how different lighting models are implemented in shaders.

Quick win: Open Unity or Unreal, create a new shader graph, and try to make a simple glowing material. It's a great way to get your feet wet without needing to write any code.

9Staying current once you are in

What people here do to keep up

Regularly engage with online communities like Polycount, ArtStation, and Sketchfab to see what other artists are doing and get inspiration.
Follow industry blogs and YouTube channels (e.g., 80 Level, GameDev.tv, FlippedNormals) to stay updated on new techniques and software.
Participate in online challenges or game jams to practice working under constraints and collaborating with others.
Continuously expand your portfolio with personal projects that push your skills in areas like optimisation or shader creation.
Attend local industry meetups or online webinars when possible to network and learn from experienced professionals.

10How the AI economy is changing work like this

Before we ask anything of you, here's what we can already say about AI and work of this kind:

The new skill this role is being asked for: Procedural Content Generation (PCG) Basics

Manual asset creation is slow. PCG, using tools like Houdini or Substance Designer, lets you generate variations of assets or entire environments much faster. Artists who can 'code' their art will be incredibly efficient.

We'll only ever tell you what we can actually back up. No hype, no scare tactics.

The rising capability

Zavmo analysis

What's rising in its place

This is where the work is heading, and the higher pay with it. Get fluent here and the shift stops being a threat and starts being your edge.

Procedural Content Generation (PCG) Basics

Manual asset creation is slow. PCG, using tools like Houdini or Substance Designer, lets you generate variations of assets or entire environments much faster. Artists who can 'code' their art will be incredibly efficient.

Node-based workflows
Parameterisation
Non-destructive workflows
Basic VEX/Python scripting for automation

What you’ll use

Skills this role draws on

Technical

Performance Budgeting & Basic Optimisation
High-to-Low Poly Baking Workflow
PBR (Physically Based Rendering) Fundamentals
Efficient UV Unwrapping & Texel Density
Topology for Real-time Assets

The pathway

How you actually get there, here

How you become one varies far more by country than what one does. This is the UK route. Most people take one of these ways in; the right one depends on where you're starting from.

1
Recent Graduate (3D Art/Game Dev)
0-1 year post-graduation
Skills to master
- Translating academic knowledge into production-ready assets, understanding real-world performance constraints, and adapting to team pipelines.
You're ready to move on when
- A university portfolio showcasing a range of 3D assets (props, environments).
- Familiarity with at least one game engine (Unity/Unreal).
- Ability to take constructive criticism and iterate on work.
2
Self-Taught Artist with Strong Portfolio
1-2 years of dedicated self-study
Skills to master
- Formalising workflows, understanding industry best practices for asset optimisation, and collaborating effectively in a team environment.
You're ready to move on when
- A diverse portfolio of high-quality personal projects, demonstrating technical and artistic skill.
- Active participation in online 3D art communities (e.g., Polycount, ArtStation).
- Demonstrated ability to learn new software and techniques independently.
3
Internship Conversion
6-12 months as an intern
Skills to master
- Deep understanding of our specific tools and pipeline, proven ability to deliver production assets, and strong team integration.
You're ready to move on when
- Successful completion of internship projects, meeting quality and deadline expectations.
- Positive feedback from supervisors and team members.
- Proactive learning and contribution during the internship period.

11Where this role leads

The long view:Your journey starts here as a Junior, learning the fundamentals and getting your hands dirty. But with dedication and a keen eye for both art and tech, you can carve out an incredibly rewarding career shaping the future of immersive experiences. We're excited to see where you take it.

Pay & demand

Pay and demand for this role will appear here, each figure traced to a named authoritative source (e.g. the ONS Annual Survey of Hours and Earnings, under the Open Government Licence). We don’t show numbers we can’t attribute.

The ten Future Fluencies

Zavmo analysis

The credential is what you can do today. These are what keep you valuable.

A qualification proves you can do the job as it's defined today. These ten are what decide whether you're still the obvious person for it in five years. They're the capabilities employers are now writing into senior roles faster than people are learning them. Zavmo weaves them through whatever you study, so you come out with both: the credential and the fluency.

The highlighted ones are the Fluencies your role leans on hardest, from how Junior 3D Modeller for AR/VR is actually changing. In about two minutes, the free confidence check asks where you stand on each of the ten. That's the whole check, and it's what makes the plan yours rather than generic.

12The team that's yours

No two people are taught the same way. This is one-to-one, not one-to-many.

Zavmo is a hyper-personalised AI learning platform. Twelve virtual tutors, each with a different way of teaching, and one orchestration agent that picks the right one for the moment. So every single lesson is shaped around you, your role, and the way you learn. Not a course everyone sits through. A conversation built for you, and no one else.

…and nine more, matched to you after your first chat. Meet all twelve

Start free and meet yours

13What it feels like

A conversation, not a course

Because your tutor knows your role, your projects and your last session, learning sounds like this. And it's different for every single person:

Contribute ideas for productionsLevel 3

Applied to your work in Junior 3D Modeller for AR/VR

By completing this unit, learners will be able to contribute to productions by proposing, developing, and presenting their ideas effectively.

How the thinking builds

Remember
Understand
Apply
Analyse
Evaluate
Create

An illustration of a Zavmo lesson, built from this role’s own route. The unit, its objective and every criterion above are the awarding body’s own words, not an example.

One to one, not one to many

No two people run this the same way

A course is written once and handed to everyone. This is assembled around you, and keeps changing as it learns you. Five things it reads, and what each one changes.

Your actual work Every lesson is taught against a live piece of your own work, not a worked example from a textbook.
What you already know The first conversation finds your starting point, so you skip what you can already do and spend the time on what you cannot.
The conditions you learn under Not a learning-styles quiz. The evidence does not support those. The dimensions the research does back, read once and used to shape the plan.
How far you got last time It picks up mid-thought. The tutor knows what you said, what you struggled with, and what it asked you to try.
Which tutor suits the moment Twelve of them, each for a different kind of thinking. The one who walks you through a first idea is not the one who stress-tests it.

See how you learn, free. Eight questions, no sign-up. A directional taster; the diagnostic inside Zavmo goes deeper and keeps adapting.

DemonstrateIllustration

Evidenced on your work in Junior 3D Modeller for AR/VR

You do not finish by watching something. You finish by showing it on the work you already do, against the measures this job is judged on.

Asset Delivery RatePercentage of assigned 3D assets completed and submitted for review by the agreed deadline.If you're given 10 assets to model in a sprint, we'd expect 9 or more to be ready for review on time. We understand things happen, but consistent delays are a red flag.90%+ of assigned assets
Polygon Budget AdherenceHow closely your final models stick to the specified polygon (triangle) count limits.If an asset has a budget of 5,000 triangles, your final model should be between 4,750 and 5,250. Going over means performance issues, going under too much means it might not look right.Within 5% of the allocated poly budget
Revision Rate (Initial Review)The average number of significant revisions requested on an asset after its first submission.After you submit a model, if we're constantly asking for big changes to topology or UVs, that tells us you might need more guidance upfront. Small tweaks are normal, but redoing big chunks isn't ideal.Less than 2 major revisions per asset
Learning & Tool Proficiency GrowthDemonstrable improvement in using core 3D software and understanding AR/VR specific workflows.Successfully completing a Blender retopology tutorial or demonstrating improved speed in Substance Painter shows you're actively learning. We'll track your progress here.Completion of 3 assigned training modules/tutorials per month

These are this job's own measures, with its own targets. Nothing is marked evidenced, because nobody has started this yet. Yours would fill in from the work you bring.

Your passport

This isn't a certificate you file away. It's a passport to the life you're designing.

Every credit you earn and every fluency you build adds up: evidence where it counts, carried with you. Zavmo keeps the map: where you are, where you're heading, and the next step, at your pace, around your life. From Junior 3D Modeller for AR/VR to 3D Modeller for AR/VR (Mid-Level), and whatever you decide comes after.

Level 2 · in progressAI Fluency→ 3D Modeller for AR/VR (Mid-Level)→ your design

Where this takes you

Your journey starts here as a Junior, learning the fundamentals and getting your hands dirty. But with dedication and a keen eye for both art and tech, you can carve out an incredibly rewarding career shaping the future of immersive experiences. We're excited to see where you take it.

See Your Progress GrowIllustration

Junior 3D Modeller for AR/VR

Performance Budgeting & Basic Optimisation
High-to-Low Poly Baking Workflow
PBR (Physically Based Rendering) Fundamentals
Efficient UV Unwrapping & Texel Density
Topology for Real-time Assets

This is your Mind Palace on learn.zavmo.ai. Every skill above comes from this role's own record, not an example borrowed from another job. A node lights up when you evidence it, and what you build stays yours between jobs. That is the part a course cannot do.

14The detail, folded away

Everything else the record holds

The career branches in full, how AI is already showing up in the day-to-day, and the questions people ask about this job. Here when you want them, out of the way while you decide.

Where it leads next, rung by rung

Where it leads

The career path, and where it branches

Junior 3D Modeller for AR/VR is a start, not a ceiling. Each step below asks for new skills and hands back more autonomy.

3D Modeller for AR/VR (Mid-Level)
2-3 years in the Junior role
From Level 1 to Level 2
- Advanced Optimisation: Applying more complex LOD strategies and texture packing techniques.
- Shader Graph Proficiency: Creating moderately complex custom materials in Unity/Unreal.
- Troubleshooting Engine Issues: Diagnosing and fixing common asset import or rendering problems in-engine.
- Workflow Improvement: Identifying areas for efficiency gains in the asset pipeline.

Working with AI on the job

Working with AI

Where AI is starting to help

Let's be real, some parts of 3D modelling can be a bit of a grind. But what if you could cut down on the tedious bits and spend more time on the fun, creative stuff? That's where AI comes in. We're not talking about replacing artists; we're talking about giving you superpowers.

For a Junior 3D Modeller, AI tools can be a massive help in speeding up repetitive tasks, letting you focus on learning the core artistic and technical skills faster. Think of it as having a really smart assistant who handles the heavy lifting, so you can concentrate on the craft.

Automated Retopology & UVs

Imagine taking a super-detailed sculpt and having AI automatically generate a clean, game-ready low-poly mesh and even unwrap the UVs for you. Tools like Quad Remesher or ZBrush's ZRemesher, powered by smart algorithms, can turn a multi-day manual process into a few hours of supervised work. You'll still need to clean it up, but the bulk of the tedious work is gone.

Generative Concepting & Texturing

Stuck for ideas or need a quick mood board? Use generative AI like Midjourney or Stable Diffusion to whip up concept variations, material references, or even base textures in minutes. This means less time searching for inspiration and more time actually building. You'll still be the artist, but AI gives you a massive head start on the creative journey.

Predictive Performance Analysis

Before you even export your model to Unity or Unreal, AI plugins can give you a heads-up on potential performance issues. It can flag if your poly count is too high, if a shader is too complex, or if there might be 'draw call' bottlenecks. This means you can fix problems in Blender or Maya, saving you hours of frustrating debugging in the game engine later on.

Automated Pipeline Documentation

Ever get tired of writing down every step for a complex export process or a tricky material setup? AI assistants can help you automatically generate and update technical documentation. This means less time on admin and more time modelling, plus it makes onboarding new artists (like you!) much smoother because everything's clearly documented.

Common questions

How do you become a Junior 3D Modeller for AR/VR?

Common routes in include Recent Graduate (3D Art/Game Dev) (0-1 year post-graduation), Self-Taught Artist with Strong Portfolio (1-2 years of dedicated self-study) and Internship Conversion (6-12 months as an intern). Times vary with prior experience.

Where can a Junior 3D Modeller for AR/VR progress to?

This role can lead on to 3D Modeller for AR/VR (Mid-Level) (2-3 years in the Junior role), depending on the skills you build.

What level is a Junior 3D Modeller for AR/VR in the UK?

This role aligns to RQF Level 2 on the UK framework, a guide to the depth of qualification it maps to, not a hard entry bar.

What new skills matter most for a Junior 3D Modeller for AR/VR?

Increasingly, Procedural Content Generation (PCG) Basics. These are the areas where the higher-paid, future-proof work is heading.

The honest bit

You’ve started things before

Most of them were built for a room full of people who aren’t you. A cohort moves on whether or not your week allowed it, and by the third week the thing you’re behind on becomes the reason you stop opening it.

There’s no cohort here, and no timetable to fall behind. Before anything starts, Zavmo asks when you’re sharpest and how long you can realistically sit down for, then builds the sessions around those answers. A bad fortnight changes your pace. It doesn’t put you behind.

And you only pay once you start learning. Searching and planning are free, and you can cancel any time — so the cost of finding out is an afternoon, not a year.

What it costs

Less than one coaching session. Every month.

A single career-coaching hour costs more than a month of this, and it ends when the hour does. Zavmo doesn't. It's £70 a month, about £2.30 a day, for a companion that knows a Junior 3D Modeller for AR/VR, works on the job you actually do, and keeps going at your pace rather than a timetable's.

Searching and planning stay free. You only pay when you start learning.
Your credits are yours. Regulated, and they don't vanish when a subscription ends.
Cancel any time and billing stops. No notice period, no minimum term.

Your path, personalised

You have the map. Walking it is the part we do together.

This route runs to 10 national skill standards. That is a real journey.

Zavmo shapes a learning experience as unique as you are. It fits how you learn, your pace and the work you already do. Every step stays benchmarked to recognised national standards. That’s the plan for becoming a Junior 3D Modeller for AR/VR: personal to you, and it still counts. The first steps are free.

Independent research finds well-designed intelligent tutoring performs nearly as well as one-to-one human tutoring: VanLehn (2011), Educational Psychologist.

A private tutor in the UK averages £35–40 an hour . Zavmo is £70/month.

A Zavmo curriculum screen: a three-month plan built for a customer support lead, five Ofqual-regulated units and a hundred and ninety-six credits. — A real plan on learn.zavmo.ai: Ofqual-regulated units, credits, and a three-month run at your own pace.

Start free No commitment. See your first steps free.

15Where to go from here

Other roles at Level 2

Same depth of qualification, different job. Useful if the work appeals but this particular role does not.

Other roles in Technical roles

Stay in the field you know and move sideways rather than up.

If you leave this industry

The skills you'll gain here—real-time 3D modelling, PBR texturing, engine integration, optimisation—are highly transferable across the entire games industry, visualisation, film VFX, product design, and even architectural visualisation. AR/VR is a growing field, and these skills are in high demand across many sectors.

Not sure this is the right direction?

Work out what you actually want from work first, then come back and see which roles fit it. Takes about ten minutes.

You're not behind. You're right on time. The shift is only just beginning. Your role won't look the same in two years. Be the one who leads the change, not the one it happens to. Build my plan, free Here's the first ten minutes: a 2-minute confidence check → your personalised roadmap → meet the tutors matched to you. No card, cancel any time. No card. Build your plan, see your roadmap and meet the twelve tutors matched to you. All free. When you're ready to start learning, it's £70 a month, billed monthly. Cancel any time and billing stops.

Junior 3D Modeller for AR/VR

What's rising in its place

Procedural Content Generation (PCG) Basics

Skills this role draws on

Technical

How you actually get there, here

Recent Graduate (3D Art/Game Dev)

Self-Taught Artist with Strong Portfolio

Internship Conversion

The credential is what you can do today. These are what keep you valuable.

Roles this leads to

No two people are taught the same way. This is one-to-one, not one-to-many.

A conversation, not a course

No two people run this the same way

This isn't a certificate you file away. It's a passport to the life you're designing.

Your journey starts here as a Junior, learning the fundamentals and getting your hands dirty. But with dedication and a keen eye for both art and tech, you can carve out an incredibly rewarding career shaping the future of immersive experiences. We're excited to see where you take it.

Everything else the record holds

The career path, and where it branches

3D Modeller for AR/VR (Mid-Level)

Where AI is starting to help

Automated Retopology & UVs

Generative Concepting & Texturing

Predictive Performance Analysis

Automated Pipeline Documentation

Common questions

You’ve started things before

Less than one coaching session. Every month.

You have the map. Walking it is the part we do together.