Junior 3D Modeller for AR/VR

Primary modelling, retopology, UV unwrapping, and basic scene setup. You'll be spending a lot of time here, building the actual geometry.

Basic sculpting for high-poly detail, primarily for creating forms that will later be retopologised and baked down. You won't be doing super complex character work just yet.

Texturing 3D models using PBR workflows, applying materials, and painting details directly onto your assets. This is where your models get their 'skin'.

Importing your finished 3D models and textures, setting up basic materials, and checking how they look and perform in the target engine environment.

Checking out project files, saving your work, and submitting changes to our version control system. It's how we keep track of everyone's work and prevent conflicts.

Tracking your tasks, updating progress, and seeing what everyone else is working on. It's our main project management tool.

• Senior 3D Modellers
• Technical Artists
• AR/VR Developers
• Concept Artists
• Project Managers

• None (typically internal focus at this level)

Capturing real-world objects and environments is becoming faster and higher quality. Knowing how to process scan data, clean it up, retopologise it, and get it into an engine efficiently is a huge advantage for realism in AR/VR.

Scan data cleanup · Retopology for scanned assets · Texture projection from scan data · LOD generation for scanned assets

• This month: Experiment with free photogrammetry apps on your phone (e.g., Polycam, RealityCapture Lite) to scan simple objects.
• Month 2: Import your scan data into Blender and practice cleaning up the mesh and projecting textures.
• Month 3: Try retopologising a scanned object and baking new textures from the high-poly scan.
• Month 4: Research different 3D scanning hardware and software solutions.

Quick win: Scan a simple object (like a shoe or a mug) with your phone and try to get it into Blender. It won't be perfect, but you'll learn the workflow.

Materials are more than just textures. Creating custom shaders (even simple ones) in Unity's Shader Graph or Unreal's Material Editor lets you achieve unique visual effects, optimise performance, and have more control over how your assets look.

Node-based shader editors · Vertex vs. Fragment shaders · Basic math for shaders (e.g., lerp, dot product) · Performance considerations for shaders

• This month: Follow introductory tutorials for Unity Shader Graph or Unreal Material Editor (start with a simple dissolve effect or a custom metallic shader).
• Month 2: Try to recreate one of your Substance Painter materials entirely within the engine's shader graph.
• Month 3: Experiment with a basic animated material (e.g., a glowing effect or a scrolling texture).
• Month 4: Look into how different lighting models are implemented in shaders.

Quick win: Open Unity or Unreal, create a new shader graph, and try to make a simple glowing material. It's a great way to get your feet wet without needing to write any code.